Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
Person
Johannes Schiehsl
Director
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One day, a little mole discovers that all of the other animals have a friend of their same species to play with, but the mole is all alone and very sad. To make matters worse, all the food is starting to rebel. A fat earthworm escapes in a hurry, right under the mole’s nose. The hunt inside the tunnels begins! Finally the earthworm is caught, but just as the mole is about to bite down, he realises that it’s not an earthworm but another mole’s tail. Now that they’ve found each other, there’s a happy ending under the molehill.
- Comedy
- Romance
- Family
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Starting his social work as a paramedic, young Patrick soon comes into contact with patients who are all suffering from the same problem: loneliness.
- Drama
- Tragicomedy
- Experimental
Producer
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Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
-
Starting his social work as a paramedic, young Patrick soon comes into contact with patients who are all suffering from the same problem: loneliness.
- Drama
- Tragicomedy
- Experimental
Animator
-
Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
-
One day, a little mole discovers that all of the other animals have a friend of their same species to play with, but the mole is all alone and very sad. To make matters worse, all the food is starting to rebel. A fat earthworm escapes in a hurry, right under the mole’s nose. The hunt inside the tunnels begins! Finally the earthworm is caught, but just as the mole is about to bite down, he realises that it’s not an earthworm but another mole’s tail. Now that they’ve found each other, there’s a happy ending under the molehill.
- Comedy
- Romance
- Family
-
Starting his social work as a paramedic, young Patrick soon comes into contact with patients who are all suffering from the same problem: loneliness.
- Drama
- Tragicomedy
- Experimental
-
A tragicomic story about an old woman, who, to the horror of her son, is cooking up a meal in the middle of the night for her long-deceased friends. Fantasy, dream or reality? What is the difference? When people get old…
- Drama
- Tragicomedy
Script writer
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Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
-
One day, a little mole discovers that all of the other animals have a friend of their same species to play with, but the mole is all alone and very sad. To make matters worse, all the food is starting to rebel. A fat earthworm escapes in a hurry, right under the mole’s nose. The hunt inside the tunnels begins! Finally the earthworm is caught, but just as the mole is about to bite down, he realises that it’s not an earthworm but another mole’s tail. Now that they’ve found each other, there’s a happy ending under the molehill.
- Comedy
- Romance
- Family
Music composer
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Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
Sound designer
-
Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative
Editor
-
Employing the method of single frame editing, primarily focused on sound, the realistic film image transforms into a surreal, structuralist and finally even abstract film.
- Experimental
- Non-narrative