In order to entertain himself, a bored bear gets himself an iPod. But it’s a short pleasure: a crow appears and steals the device. By chasing the bird through the back-country, the bear’s home distance grows.
- Drama
- Tragicomedy
- Experimental
Tag
In order to entertain himself, a bored bear gets himself an iPod. But it’s a short pleasure: a crow appears and steals the device. By chasing the bird through the back-country, the bear’s home distance grows.
The Green Animation Guide was released at this year’s MIFA and is the first international reference guide for sustainable practices in animation. It provides peer-driven actionable recommendations tailored to the specific needs of studios, producers and artists, enabling them to implement meaningful changes adapted to their realities. The guide is a collaborative effort led by Ecoprod, Green Film and Cine Regio with the support of several regional film funds.
This music video is a computer-generated animation made in an open-source program Golly. The program is used as a simulation of cell growth. The background is made with animated objects in the scanner. The story follows the lyrics of the song. First, the growth seems unlimited, then a peak comes, we break and vanish and again and again, the game of life. Behind this circle, an everlasting nostalgia is present.
The story revolves around an old Japanese lady who gets stuck during her morning routine of preparing bentos in her shop, nested in the bottom floor of a supermall. Her young assistant decides to take it upon herself to help her by bringing her to a chiropractor a few floors above. Sounds simple enough, right?
Eggs start falling on Earth. Reptile-like aliens hatch, and attack humans. Defending them, general issues a brief and impetuous decision and sends all the soldiers in a fight for survival…
Using advanced technology, the so-called holodeck, alien Gig wants to reach the stars. The equipment soon breaks down and trouble begins for Giga…
Alice explores the influence of the chemical properties of spiders on the human psyche and gets on a trip where she has to face her essence.
A high-school kid is addicted to a computer game where he protects a sexy mega singer against all kinds of attack and “wins” her love. But this addiction comes at the cost of his homework and his sense of reality, until a girl in his class gives him a real kiss.
A love story with a happy beginning and a sad ending, set in a computer game, a scope whose programming and limitations remind of social norms and boundaries, and which leaves the protagonist very little chance of fighting for the desired direction in life.
Music video for Krojc.
A music video.
A music video.
A music video.
Video for Hi! by FVCLRM
The quarantine brings difficulties in sexual satisfaction in and some confusing feelings around vegetables.
Burn-out at the office? Thousands of photocopies follow each other in this stop-motion music video made for the French post-punk group Frustration.
Three authors, three different generations, three different perspectives on their own work. All three worked in the audiovisual industry, advertising and other commercial spheres. Through animated interviews, the film approaches their experiences and asks whether there is also a place for author’s work in their lives.
In Wishbone Zoe’s hand-drawn animated music video for heavy avant-jazz Western MA shredders Fred Cracklin, exploited mine workers make an effort to boar-ganize.
Forest 500 is the world’s first ratings agency for rainforests. It tracks how key companies, investors and governments are performing in the race to remove deforestation from global supply chains. ‘Forest 500’ was produced for the COP 21 Climate Conference in Paris, 2015. It is the third film Moth has made for the Global Canopy Programme, a tropical forest think tank working to demonstrate the scientific, political and business case for safeguarding tropical forests as natural capital.
On the one hand it’s dirty work and on the other hand gorgeous product. This is a film about making food and consuming it. The producing part itself is not always as clean as we hope, yet we turn the blind eye as long as the end product looks desirable enough. The film plays with the fantasy of making food and about the satisfaction we get when having delicious products.