An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.
- Experimental
Tag
An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.
A nocturnal education film, designed to help children develop their emotions and expressions as well as language and physical skills by enjoying singing and exercising with a big brother.
The Brain Friends are an imaginary group of characters that live inside Yellow Guy’s brain.
A naughty musical sexual education short for siblings.
Follow Red Guy, Yellow Guy, and Green Duck as they learn about family, electricity, and death. Beware the strange and dangerous twists that come their way as their seemingly-safe house reveals that they live in an actual nightmare.
The short animated film “Dominik’s Stories” is a collaboration between George Radojčica, a neurodiversity artist working at the Studio of Joyful Creation, and animator Magdalena Hejzlarová. The film was created as part of the Artist Statement project of the non-profit organization Barvolam, which supports neurodiverse artists.
Don Quixote is a stick figure who travels around the world, searching for home though he doesn’t even know where it is. Chased by spooky ghosts and demons, he explores strange mountains, haunted forests, murmuring oceans and shimmering lakes.
You know, it’s like having a dog, and it chooses someone else as its owner, not you. And as soon as the “other” rings the bicycle bell, the dog, happily wagging its tail, rushes to catch up with him.
Gravitational waves are passing through every existing dimension, even the almost undetectable ones. The scientific experiment, in its basic utilitarian nature, is aimed at the understanding of the multidimensional structure of things and has the potential for an uncanny experience.
A short film about people with unusual living arrangements.
“What are you most afraid of?” Kids answer to this question cheerfully and lightheartedly.
Five friends, growing up in Berlin Spandau, experience the surreality of adolesence, with all its magic, emotion and adventure.
In Antonin Niclass’s short film “Do Not Feed the Pigeons, ” a flock becomes a source of unexpected wonder for a group of weary travellers.
The visualizer for Do The Dial Tone enhances the music by narrating an adventurous tale of an alien exploring Earth at midnight. Drawing inspiration from Janet Jackson’s Rhythm Nation video, our character embarks on a nocturnal journey through the city streets, culminating in a solo party held in an underground ruin. This visual story captures the essence of the track, blending the surreal with the rhythmic energy of an all-night adventure.
Incorporating Inari’s trademark style and intriguing outlook on life, her film peels all the flimflam off toxic masculinity and reveals the bare reality behind it.
An alarm clock wakes a man who washes his face, has breakfast, drives his car to work, spins records, returns home, and takes his pills. It’s a world of circles – often seen from above: an espresso cup, a stairwell, the pills, and the records spinning. At the dance where the music plays, the rhythms evoke images of a butcher slicing head cheese, gears driving other wheels and levers, a combine churning out bales of hay, a butcher cutting chunks of meat for a stew, and boxers punching. The circle of music and life
The Story of five Dirtmonsters working for the detergent industry, which have to deal with getting replaced by a more efficient Dirtmaschine.
In the world where dinosaurs have survived and have evolved even to the point of taking their first steps on the moon, a giant asteroid heads towards Earth. The JASA (Jurassic Aeronautics and Space Administration) is active to avoid disaster.
During dinner, “the system” feeds the few who consume all the resources while the rest survive on scraps. Inevitably, the struggle for what remains leads to catastrophic change. The offspring of this transition turns out not to be a sign of hope, but the spitting image of the parents.