An art museum security guard is on his night patrol when he realizes that a mysterious intruder is censoring all the nude artwork.
- Comedy
- Experimental
Tag
An art museum security guard is on his night patrol when he realizes that a mysterious intruder is censoring all the nude artwork.
A one-eyed has-been TV presenter hides away in a hotel room with his dead sidekick to watch reruns from their better days. “Let’s revive some of our moments now” he says to the corpse in his arms. “It’s OK, I’m just glad you are here.”
A story of a timid boy and woodland girl who are both connected and separated by fear. They develop a strong bond which becomes almighty in their fantasy world. But as friendship turns to love, fear arrives, and has an unexpected form. Overcoming fear and finding a common journey will not be easy. It will be difficult.
An alienated and lonely man goes to take a rest and dreams about the same torment and feeling of inability to bear the burdens of life that torment him even when he is awake. He dreams of his ups and downs, as well as fears which turned into symbols that also came from the rigid everyday reality.
A security guard’s nightly ritual – a Tetris game – is interrupted by unexpected technical issues. One of the surveillance cameras breaks down, and the game sets its own rules.
A zombie movie with more heart than brains.
On a late-night commuter bus, a necklace was stolen. This was followed by a tragic and fatal road accident, and a series of intriguing turn of events which revealed love, hatred, and vengeance. The film climaxes as the bus goes up in flames, burning and glittering against the dark coastal sky.
A music video for Nevermen who consists of TV on the Radio’s Tunde Adebimpe, Faith No More’s Mike Patton and Doseone.
The awkward hero stumbles over a long forgotten piano. Music leads him from his rund down existence out into the city life. There he plays a last funeral march to all the deadbeat figures on the sidewalk.
In Never like the first time! four different people tell us, in their own words, what it was like to lose their virginity. The diverse experiences recounted in the four different animated stories, some tragic and some comic, are told by both the teenagers and the old people that appear in the stories and they all have one thing in common – it is ”never like the first time!” The people behind the voices remain anonymous and they explain sincerely how significant losing their virginity was to them.
Somewhere in Eastern Europe due to an accident in a laboratory, the hero gains superpowers that he does not want. The hero does not want to be a superhero, to save the world from villains, he wants to live as before without changing anything. The situation is complicated by the fact that while he gains the awareness of his power, it causes problems in his everyday life. While he is stuck in the elevator, he meets a girl who likes him and wants to help him.
Little Sofía loves her grumpy granny: even though she is always hungry and eats what little food they can buy. Her pension is the only thing keeping her and her father alive. To what extremes will they go to once granny is no more? Based on a story by Nina Kouletakis.
A film about the relationship between a young woman striving for professional success and her eccentric brother. The main character is a workaholic who devotes her entire life to her job. She believes that this is the only right path and, even though it does not make her happy, she stubbornly sticks to her position. Her older brother has a completely opposite attitude to life and, seeing how his sister lives, tries to convince her to change. He often behaves eccentrically, embarrassing his sister in front of her colleagues and slowly making her life miserable. At some point, the sister has had enough of her brother’s insistence, which leads to frequent arguments and eventually to a breakdown in contact.
An unoccupied house, a treasure trove of memories for the director, is captured at a major point of change.
Good and evil, utopia and dystopia, narrative and post-narrative collide in a mortal battle to entertain the audience.
My Generation is the final chapter of the trilogy Logorama– Money Time– My Generation. From a deadlock to an hypothetic future, My Generation is a POV shot, from a mysterious vehicle rolling backwards on a wide highway and driving through every great plague of our time materialized by amazing interconnected theme parks: art, big data, sports, religion, sex, politics and finance.
A group of factory workers become obsessed with a hill. They let loose on the marshy earth, succumbing to their strange desires.
Musical Traumas came to fruition as the result of the director’s obsession with music schools. It is a rhythmic compilation of traumatic, but amusing confessions of former students, as well as an attempt to visualise music with scrumptious, hand-drawn animation. The experiences may be documentary, but the image comes straight from the world of musical impressions.
Visual trip through the distorting perception of the protagonist. Obsessive physicist in a world full of backpackers, observes a distant Nucleus emitting impulses. Rubbed up by the constant noise of the his neighbor’s cat, which keeps him from his work, he glides slowly to madness. In a surreal desert, he is confronted with the connections between his the neighbors, the cat and the nucleus.
Disturbed by loud music from one of his neighbors, Mr. Schwartz calls the police. But initially, the officer cannot ascertain anything. Then the film starts again from the view of every tenant and allows the spectator to see what really happened in each apartment: The history of a butterfly effect.