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If Viking Eggeling had been able to redo his well-known film entitled Symphonie Diagonale (1924) in high definition and 16:9 format 85 years after it premiered, the result might look something like Machination 84.
Once all the carrots disappeared in a family of snowmen. But it turned out that for a snowman the nose of a carrot is not the most important thing, compassion and kindness are much more important.
The lion has to become more physically fit. The gazelle does not think he is capable of doing so.
Two characters are linked by their hair. They influence each other by every move they make and wherever they go.
M.E., the imprisoned character in a room is attracted to a hanging light and he tries to catch it. But the room itself becomes an obstacle in his way.
Growing leek is not that easy.
This is the story of Svojislav who was accustomed to walking the way he was taught by his mother. However his four friends each try to teach him their style of walking convinced that theirs is the best way. Svojislav has a hard time getting away from his “redeemers” but having done so, he continues walking the way he always has.
Huge sailor gets an autumn leaf from a small girl. It reminds him of his home. How long he has not been there? He runs to meet his old parents. What will he find there?
The lamb’s parents are shocked, because their little lamb doesn’t sound like the other sheep: It’s making „moo” instead of „baa”.
Kukuschka is a bird who follows the sun. It seems as she almost can touch it but the Sun is still far away. Suddenly she is not alone any more but for two it’s even more difficult to keep going so fast.
Diagnosis: Kraken. But the little girl doesn’t understand how serious her situation is. She sees her Kraken as a friend and forgets the disease – until it gets out of control.
An abstract visualization of Japanese poems called Haiku. Haiku employed in Kigo presents the value of common, everyday things whose beauty is the source of one’s fascination.
An animated short exploring group dynamics. How do we define ourselves when we are all equal?
How can we make festivals truly festive—for everyone? Join us for an essential CEE Animation Experience webinar dedicated to Keep Festive, a new international initiative committed to creating safer, more inclusive environments at animation industry events. Guest speakers will present core values, practical tools, and real-world protocols developed to prevent sexual harassment and unsafe situations, from establishing a Code of Conduct to training staff and managing sensitive cases. Aneta Ozorek (Kaboom Animation Festival) Artistic Director of the Kaboom Animation Festival (Netherlands), film curator and education expert. Extensive industry experience in organization of film events, educational workshops, exhibitions and festivals. Board member of REX Animation Festival (Sweden) and Short Film Conference. Member of European Children Film Association. Illustrated six books for children. Anastasiya Verlinska (LINOLEUM Festival) Director of LINOLEUM Contemporary Animation and Media Art Festival (Ukraine) since 2016. Previously project manager at FILM.UA Group. Organizes screenings of Ukrainian and international animation as well as educational projects for the local animation industry. More information and lectures at: https://www.ceeanimation.eu https://www.ceeanimation.eu/experience/cee-animation-experience/ https://www.facebook.com/ceeanimation/ CEE Animation Experience is a series of webinars organized in cooperation with selected partners in the CEE region. This activity targets animation industry professionals, who will gain new insights as shared by top regional and world experts and get a rewarding experience of film production directly.
It’s ten o’clock. A family sits down at the table. It’s dinner time.
On a small island a bunch of exotic creatures run across each other.
It’s calm and peaceful above the clouds. But chaos lurks in the distance and each night, it draws closer.
A winter fable for children and adults alike. The film accompanies five forest inhabitants as they forage for their winter food.
The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
It is a simple and bitter-sweet story, a story that touches any age, that we want to keep to oneself as a secret, a story carrying many feelings, a story which, finally, we want to share with everybody: it is the story of life.