A police detective makes discoveries about the Laughing Man, but he is assassinated before his findings can be seen. Section 9 is sent to investigate.
- Action
- Sci-Fi
- Drama
A police detective makes discoveries about the Laughing Man, but he is assassinated before his findings can be seen. Section 9 is sent to investigate.
Section 9 must find the person responsible for Jeri-type androids who are suddenly committing mass suicide due to a virus.
A multilegged battle tank gets out of control during a test after a hacker infiltrates the system, and Section 9 must try to stop the dangerous machine.
Major Motoko Kusanagi tries to maintain law and order with his Section 9 unit, but in the age of cyborgs, the boundary between man and machine disappears.
The story of one girl's Google-search-gone-wrong to find out why she can't stop pulling out her hair.
As he looks at a flower, Mika is reminded of his childhood, and feels a creature awaken inside his head: a giant stuck in apathy. Also coming awake is another creature, full of wonder: Kai. Trapped inside the giant, Kai discovers countless memory bubbles and starts collecting them. With their help, she guides the giant through releasing his emotions – and Mika through finally accepting the loss of his childhood friend.
Official animated music video for Shugo Tokumaru's Poker created by Mirai Mizue and Yukie Nakauchi.
When conflict becomes a spectacle, the lines between destruction and entertainment get blurred…
A circular looping animation projection installation.
1923 aka Heaven is one of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1923 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1923.
To learn how to process bad news and face adversity in life, you undoubtedly need some skills. In this short humorous film, probably loosely inspired by Inside Out and Inside Out 2, we get to see the mental processes of an unfortunate person and hopefully get some tips on what to do.
Using the New Age idea of a 'dimensional shift' as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and colour.
Filmmaker and pedagogue Martin Kukal occasionally makes music videos. One of his latest creations is the music video for a song by Sváťa and Martina from the town of Slaný, set near the Red Pond and starring various good-natured ghosts and fairy-tale beings.
The Norwegian director’s abstract animation works with floating and unstable organic shapes. Constantly moving, they create entirely new forms. The film’s plasmatic structure unusually combines digital images with natural motifs and conveys feelings of cold and warmth.
On a night walk, a couple in love come across a frog who’s definitely not interested in their attention. The frog, her child and other creatures of the forest rather allow themselves to be carried away by the wild rhythm of the electronic music by Czech performer Johuš Matuš, secretly hoping that the uninvited guests will leave soon. The music video’s co-director Julie Černá worked with Johuš Matuš on her acclaimed film The Stone of Destiny.
A charming touch of craftsmanship, carefully chosen colour palette and the quiver of cutout animation particularly evident in animated flames make this music video a suggestive spectacle. By repeating distinctive motifs to the hypnotic tones of the song, it acts as an audiovisual spell.
Were we equals, or were some of us just using others? This non-narrative film explores the possibilities of textile materials and techniques in conjunction with the moving image. A musical composition by the artistic duo Nadváha is stitched by the repetitive sound of a sewing machine.
A short and captivating non-narrative animation by Polish filmmaker.
In India, cultural practice requires young girls to be dedicated to a Hindu temple, becoming temple dancers, serving its deity and priests for life. At the dedication ceremony they receive Muttu – a red and white necklace symbolizing their status. In a few short minutes, the director succeeds in building an oppressive atmosphere by using, among other things, traditional Indian music.
Individual schizophrenically narrated episodes take us through the instrumentalisation of life by creating pulp (mirroring the film itself) and personifying a machine. The film is rooted in the director’s infinite hatred of computers and, in a deeper sense, explores the boundaries of resistance in the digital age.