A labyrinthine poetry on the human automatism. A reflection about our daily relationship with money and time. It’s an animated tragicomedy, which plays with the concept of an all-permeating acceleration.
- Comedy
- Sci-Fi
- Experimental
- Tragicomedy
Genre
A labyrinthine poetry on the human automatism. A reflection about our daily relationship with money and time. It’s an animated tragicomedy, which plays with the concept of an all-permeating acceleration.
Astronaut of Featherweight is a dark vision of the hypercapitalist transhuman society in which a body is a commodity and money means immortality. From out-of-space spa-colonies to labour plantations, everyone is trying hard to preserve their bodies.
Ashnikko in a monstertruck and a squad of develish beasts ride towards the sunset to battle the angelic overlord robots.
A tiny rocket makes an impact on a big wish. Seen from a distance, the earth is the most beautiful place in space.
Robot Minus serves Doctor Sinus, its creator and constructor, who works at a desk. However, a magnetic horseshoe gets into the robot’s mechanism and disrupts its functioning. Dr. Sinus first tries to tame the Robot, then breaks it, but it’s all in vain.
The Near Life Experience might seem to be an odd, extraordinary occurence, but in fact it happens to anyone. Why to be the self-stigma on your fixed, unchanging identity, as if we were never to act, never to desire, never to experience anything new?
For Rene Fustercluck, life was bad, the Apocalypse was awful and then Gordon arrived. ‘After the End’ explores the possibility that the only thing worse than being the last man on earth, is being the second to last man on earth.
Rick is stuck in an everlasting Escher-like architectural maze, binge watching TV from his living room sofa.
In 1950s Washington, the Americans decided to monitor the Russian embassy with a spy cat rigged with microphones. The only problem was getting all this equipment into the animal’s body. Based on true events.