Making of

It is believed that art can touch upon things that are invisible or unspoken, engage a wide range of people in dialogue by analysing different experiences. One of such perspectives is represented by the artists with Down Syndrome, such as the Atelier Normalno community members. For some of them, video became a tool of emancipation. They use the aesthetics of advertising, television and cinema to create moving images art that is a sharp reaction to everyday topics. During the discussion, artist and co-curator of the Atelier Normalno Stanislav Turina and cinema historian and director Stanislav Menzelevskyi will reflect on how artists with disabilities convey modernity, what characters and issues they choose to convey their feelings, how inclusion can be present in culture and the role that video as an artistic instrument plays in it.

• Making of

by Anne Koizumi

An animated short documentary about a difficult father-daughter relationship. Drawing on childhood memories, Anne Koizumi, the filmmaker, explores her upbringing with her Japanese immigrant dad, who was also the janitor at the elementary school she attended.

• Documentary
• Drama
• Bio-pic
• Making of

Director interview with Ignas Meilunas at Animatricks 2021.

• Documentary
• Making of

Our first part of the lecture will focus on pioneers and experiments. We will also find out how Ukrainian animators in the 1920s made advertisements, propaganda, and children’s stories, sometimes even combining all of them in a single artwork. We will also discuss the problems that Ukrainian animation faced and how it bothered and threatened the Soviet government. In the second part of the lecture, we will talk about how and where the animated film heritage is preserved today. What is the size and significance of the animation collection kept at the Dovzhenko Centre.

• Documentary
• Making of

In this webinar producer Martin Jůza from the Czech animation studio Krutart will tell you the story of the animated series Kosmix and what steps they had to take to produce 2 seasons of their home-grown IP. How they had to change their mindset, what they lost the most money on and what mistakes they made so that you don’t have to repeat them.

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by Luiz Stockler

Luiz Stockler, a multi award winning Animation Director talks about in-between works and on how to not become stuck.

• Making of
• Documentary

The new Netflix film, “Robin Robin, ” pushes the envelope of what’s possible with stop-motion animation. The film’s directors, Dan Ojari and Mikey Please, sit down with WIRED to go over the some of the techniques that went into the making of “Robin Robin.”

• Making of

“Missing Link” is the latest feature from Laika Studios, which makes some of today’s biggest stop motion animated movies. Their latest stars Hugh Jackman, Zach Galifianakis, and Zoe Saldana. Director Chris Butler talked to us about all the work that went into bringing this movie to life. It involved years of work and over 100 handcrafted sets.

• Documentary
• Adventure
• Family
• Making of

The fourth installment in the beloved “Toy Story” franchise achieves a level of detail and realism unseen in any Disney/Pixar project yet. See how it all came to life at the legendary Pixar studios, step by step: beginning with the story and artwork stage, onto 3D computer modeling, shading and surfacing, layout, voice acting, character animation, simulation, lighting, effects, scoring, sound mixing, and the final render.

• Documentary
• Family
• Making of
• Adventure

Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”

• Documentary
• Making of

Aardman Animations is a legendary animation studio that has created classics like ‘Wallace & Gromit’ and ‘Chicken Run.’ See how they put together their latest move, ‘Early Man.’

• Documentary
• Comedy
• Family
• Making of

Peek behind the scenes at LAIKA Studios’ Coraline, a fantastical stop-motion animated film directed by Henry Selick. Packed with wonder, suspense and unforgettable characters, Coraline features the voices of Dakota Fanning, Teri Hatcher, and more.

• Making of
• Documentary
• Fantasy

by Alissa Aubenque, Adrien Roche

The Green Animation Guide was released at this year’s MIFA and is the first international reference guide for sustainable practices in animation. It provides peer-driven actionable recommendations tailored to the specific needs of studios, producers and artists, enabling them to implement meaningful changes adapted to their realities. The guide is a collaborative effort led by Ecoprod, Green Film and Cine Regio with the support of several regional film funds.

• Documentary
• Making of

by Fiona Dalwood

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

• Drama
• Tragicomedy
• Making of

How can we adapt an animated film project for the game industry? Roman Vizvary presents the work principles of the company Butterfly Effect, which is involved in the field of developing games and applications on assigned topics. The writers of the successful TV series and TV special “MIMI AND LISA” compare the approaches used for animated works and for games.

• Making of

by Thanh Mai Tranová

Three authors, three different generations, three different perspectives on their own work. All three worked in the audiovisual industry, advertising and other commercial spheres. Through animated interviews, the film approaches their experiences and asks whether there is also a place for author’s work in their lives.

• Documentary
• Making of

Q&A with Gints Zilbalodis, director of FLOW, at Toronto International Film Festival.

• Making of

The festival’s creative director Hämid Shajarian interviews the participants of the National Competition category of Animatricks 2021: Tove Johnson – Jumalolento by Juho Maurinen (2019), Left Behind by Minna Eriksson (2020), Rinse and Shine by Iiris Korjus ja Katariina Haukka (2021), The Things I Saw: Monday by David Graham (2020), Bad to the boner by Robert Lönnqvist (2021), Tiedänkö mitä etsin by Ylva-Lii Wahlström (2019)

• Documentary
• Making of

Festival Q&A with the Best Animated Film Award Nominee THE WINTER (Australia) at Arpa International Film Festival. Filmmaker: Xin Li (Film Director). Moderator: Hrag Meguerditchian (Festival Programmer).

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by Kriss Sagan

Spot for the Slovak student movie festival Áčko

• Making of
• Non-narrative