Genre
A three-act epic about a seven-year-old boy who can’t sleep, thinking about his issues. There are sounds coming from his parents’ room, some loud and disturbing noises. What could that be? A story about childhood, sex and insomnia.
Broad variety of visual styles (stop motion with paper puppets, ink on paper, watercolor, and paint-on-glass) in a tribute to French and Japanese New Wave auteurs of the late ’60s.
Surreal, slightly experimental and excellently animated film Nothing You Need to See takes place in a subway train carriage. A young passenger has got problems with his face. It is rotating on his head as a mask and constantly showing its other side. The author suffices with gentle pencil strokes and three colours to create a very original work within three minutes of running time.
It is bitterly cold in the inner city neighborhoods, and yet people come together. I watch them form a line on the horizon. We wait for something to happen. But nothing does. We have come together to witness an event. To participate in a spectacle. To see and be seen.
A music video.
Three diffferent stories about a relationship between a father and son, taking place in different social milieux.
Everyone goes home from the playhouse once. A child waits for her mother in vain, so he starts looking for her. Over varied locations we see two fates, two lives, which may never cross each other.
A loyal pack animal from a nomadic tribe has his courage tested, when taken down a challenging, unfamiliar path by his ailing human.
Film inspired by the theoretic work of George Berkeley and basics of synesthetic perception. It’s a game of imagination provoked by sound. Individual sounds penetrating into the apartment of the main character, relieved of their visual designates, evoke images distant from its origins.
What happens when the dream takes control over reality?
A one-eyed has-been TV presenter hides away in a hotel room with his dead sidekick to watch reruns from their better days. “Let’s revive some of our moments now” he says to the corpse in his arms. “It’s OK, I’m just glad you are here.”
Videoclip for a band No Name.
The short animation Nighthawks exposes the multi-sidedness of human nature. The director raises doubts about the distinction between human and animal. To her, the borders between species are dubious. She believes people can transform themselves into other creatures, as circumstances require.
A story of a timid boy and woodland girl who are both connected and separated by fear. They develop a strong bond which becomes almighty in their fantasy world. But as friendship turns to love, fear arrives, and has an unexpected form. Overcoming fear and finding a common journey will not be easy. It will be difficult.
An alienated and lonely man goes to take a rest and dreams about the same torment and feeling of inability to bear the burdens of life that torment him even when he is awake. He dreams of his ups and downs, as well as fears which turned into symbols that also came from the rigid everyday reality.
A security guard’s nightly ritual – a Tetris game – is interrupted by unexpected technical issues. One of the surveillance cameras breaks down, and the game sets its own rules.
This film explores how neighbours sharing a courtyard are both shaped by, and indifferent to, domestic violence.
In 1941, Katja decides to go against the norm by joining the Soviet Air Force's first all-female night bombing squad to protect her country.
A badger lies motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.
On a late-night commuter bus, a necklace was stolen. This was followed by a tragic and fatal road accident, and a series of intriguing turn of events which revealed love, hatred, and vengeance. The film climaxes as the bus goes up in flames, burning and glittering against the dark coastal sky.