Genre
A storm reaches the shores of Brittany. Natures drives crazy, two young scientists get caught up in the chaos. Espionage, romantic tensions and mysterious events clash with enthusiasm and randomness.
The English word STONES contains two Polish words: STO (100) and STOS (pile). A pile of stones was used to create this abstract extravaganza of stripes and circles.
The video for Pamphlets is a meditation on the feeling of being unfit, unlovable, not compatible and the manic anxiety and stress that this results in. Also, it is about the emergence from that state of mind through the embrace of uncertainty, insecurity and difference.
“Zip up and let’s dance to the sound of breaking glass.” A band of sleepy spirits in an ambulance runs out of road.
“Splinter” tells the bitter sweet love story between a wooden bench and a girl.
On an isolated cacti farm, three stressed out birds ask a cowgirl to help put a stop to the elusive Ax-Man.
In this terrifying tale of childhood brutality, just watch how the lead character’s face changes from a pockfaced villain to a scared kid as he wrestles with his anger and doubt, and surely you’ll remember a time when you did something wrong and knew you couldn’t stop yourself.
Created in 1982, “Son of Dada” is my first piece of direct cinema made with paste-on letters on 16mm film strips.
The harewoman howls at the moon. Is she awake or is she asleep? Ascent and crash, attraction and repulsion. The planets rumble, the bean grows to the sky, the mother smiles sweetly or turns away. With the masks of care and carelessness the harewoman goes through the female tides.
After a flood, fish got stuck on some old trees. In danger of drying out they scream sharply. Woken up by the noise, the inhabitants of a nearby cave don’t feel happy about the unintended gatherings.
Soba is a music video for the Polaridi band, a melancholy pop ballad about loneliness and transience of time, the thoughts we all harbour when we’re alone in the dark. On time, darkness, thoughts and emotions inspired by Višeslav Šošić’s text, Laura Martinović spontaneously creates and combines elements of a tree, person, dream, excitement, inner flame, sorrow, loneliness, claustrophobia, isolation, inspiration, alienation, search, creation, individual, community, city.
So I Danced Again… embraces the act of listening. It is a search for meaning; a dance through our chaotic world of meaningful/meaningless sounds.
Once a little African boy got a letter. In the letter he found a snowflake made of paper. He liked it so much that he wished to see it in reality as he wondered what the real snow looks like.
A snail invents the wheel and goes through a cultural evolution to finally get back to its origin.
The film questions the universal understanding of love, connecting that phenomenon with the phenomenon of rigid consumerism. Traders tend to dehumanize the human smile by continuously and aggressively offering goods and services on the market of absurdity. Osmijeh represents an act of resistance against uprooted social norms.
We follow a day in the life of Tanya, a curious woman who has developed a taste for non human lovers. This time her bedroom experiments result in the manifestation of a beautiful giant slug. Has she finally found the formula for total perfection? If so, can such a thing survive in this gnarly world full of freaks and beefs?
A day in the life of a tower block of flats, where the two main vertical channels of communication are the lift and the drain.
Film is based on Miroslav Krleža’s The Ballads of Petrica Kerempuh, one of the capital works of Croatian literature. We are drawing parallels between ancient and modern time to emphasize that the masses were always oppressed by tyrants.
A stranded whale lies neglected and decayed on the shore of Han River. Such a strange thing, yet no one in the city cares, only birds and a dog gather around the whale. The scene reminds of the depression which has been hanging over South Korea for a while.