It’s always tax season. Made with lipstick, coins, cigarettes and other things. This film is #9 of the Area 52 film collection.
- Experimental
- Non-narrative
Category
It’s always tax season. Made with lipstick, coins, cigarettes and other things. This film is #9 of the Area 52 film collection.
Alice explores the influence of the chemical properties of spiders on the human psyche and gets on a trip where she has to face her essence.
A high-school kid is addicted to a computer game where he protects a sexy mega singer against all kinds of attack and “wins” her love. But this addiction comes at the cost of his homework and his sense of reality, until a girl in his class gives him a real kiss.
Music video for Krojc.
Fulfillmenot is a visual poem about the search for answers that turn into questions turning into answers and into more questions. In an associative chain of seemingly arbitrarily linked events, an ever-changing protagonist takes unexpected actions in strange sceneries. Throughout the course of the film she goes on to explore her personality and her body in new, different ways. As alternate versions of her start to emerge, escape and finally devour her, she is made to understand that linearity is an illusion.
The quarantine brings difficulties in sexual satisfaction in and some confusing feelings around vegetables.
An in-depth technical analysis on Fruit
Burn-out at the office? Thousands of photocopies follow each other in this stop-motion music video made for the French post-punk group Frustration.
Music video from Winnipeg based band French Class.
In Wishbone Zoe’s hand-drawn animated music video for heavy avant-jazz Western MA shredders Fred Cracklin, exploited mine workers make an effort to boar-ganize.
The clip was created for François Poitou’s new album called Le Sec et la Lune. It captures the bleakness of giant housing estates, feelings of loneliness, alienation and anonymity in overcrowded cities, as well as the desire to return to nature, harmony and simplicity. And this with the use of a black-and-white drawing that underlines the pensive atmosphere
How much do I like myself? Do I have personal borders? How do they look like?
A garden party is held in the park of the baroque castle: the landscape is idyllic, the company is cozy, the food is aristocratic, and everything is traditional and refined. At the same time, in the other part of the garden, cages rattle, ropes rustle, and foxes whine. From the initial idyll, the film slowly moves to another level of pleasure, and a cruel game of “fox throwing” begins, which becomes increasingly bloody and inhumane.
A garden party is held in the park of the baroque castle: the landscape is idyllic, the company is cozy, the food is aristocratic, and everything is traditional and refined. At the same time, in the other part of the garden, cages rattle, ropes rustle, and foxes whine. From the initial idyll, the film slowly moves to another level of pleasure, and a cruel game of “fox throwing” begins, which becomes increasingly bloody and inhumane.
An essay about the constant flows of life, a self-portrait of its own process, an improvise on Bach, an investigation on plasticine.
Being a poetic experience, the film unfolds a plant fresco at the edge of intimacy and fantasy, where the eye, like the one spread by the butterfly, wanders from specimen to specimen. In the garden of a dream, the living metamorphoses and beings unveil.
A Coming of Age sci-fi film about lost and found.
The opening intro animated for Festival BAB – Biennial of Animation Bratislava which takes place biennially in October in Bratislava, Slovakia. The local music band PARA gave us their great song Celé tie roky which I used as a sountrack for animation. All the scenography is made out of used second-hand clothes and recycled textiles.
String puppets rave, eat, and fly.
Music video