A film based on free association, composed of loosely connected scenes that explore the often absurd nature of everyday life. It pays tribute to French filmmaker and actor Jacques Tati.
- Drama
- Tragicomedy
- Abstract
- Experimental
Category
A film based on free association, composed of loosely connected scenes that explore the often absurd nature of everyday life. It pays tribute to French filmmaker and actor Jacques Tati.
Cimpoiasca’s Czech music video is characterized by brilliant drawing, play with folklore elements and a number of visual ideas. A music video plunging into a nightmare and telling a story about female friendship, which is as bitterly delicious as homemade plum, was shot by a graduate of Prague’s FAMU.
On a small island a bunch of exotic creatures run across each other.
Director, co-writer, co-producer, co-composer, editor, and cinematographer Gints Zilbalodis explains the guiding philosophy behind FLOW, his profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, Flow is a feast for the senses and a treasure for the heart.
Incomprehensible Labour by Specific Means deals with the theme of labour in the contemporary. It critically points out the relationship between the abstraction of advanced automation and the concreteness of human labour. Work that is not always conscious and visible, but often unconscious and invisible. At the same time, this video highlights the fetishization of technology and performance, the result is not only invisible but also unimportant.
A young girl sees the world around her as brittle, depraved and ugly. She lives in a cold war where the weapon is not the gun or the bomb, but the alienation, aimlessness, selfishness, depreciation of the people.
In Our Skin is a celebration of nudity and freedom of women within their own bodies. It is a film about form, volume and shape, from the beauty of a fold of skin to the delicacy of a touch.
A naked woman sits in an empty room in front of the mirror and brings gum bubbles to burst. What is content and what is the form?
Following an explosion, a mysterious and elegant elderly woman wanders deserted city streets, recalling what was and what could have been.
Sometimes abstract spots and lines form a landscape.
We are thrown into a quite complex and complicated world, and sometimes feel like puppets in an absurd system we don’t understand.
The music video of Iam Twisqis re-creating an urban playground by animating shapes, forms and colours extracted from the original buildings.
Singing skeletons dream about breaking free from their geometric formation, and taking a swim in the great, big, blue sea.
I’m Not There is a debut project of Zagreb-based designer and animator Mirta Filipović. Only a few months after her first encounter with 3D animation, she embarked on a mad attempt of making an animation video for the Zagreb-based band Paul The Walrus.I’m Not There is a result of a year and a half of sleepless nights, existential ponderings and questioning why would anyone ever try and make an animated video with only three months’ experience in animation. This animation is a story about power, who has it, who doesn’t and how those who seem to have it nevertheless account to someone greater than them. Hands, eyes and mouth are used as symbols of power and submission. Hands hold power and can shape the world as they please, while eyes and mouth are sensual organs that can only observe and receive impulses.
As the night comes, the journey begins. Running rushing, racing. Unbound from time and swept away by the night’s surreal cascade of lights, we leave day-life behind.
In 1450 a fully loaded ship departed from Tsalal harbour and continued westward in search of an island believed to be somewhere far off the coast, but to no avail. Two other ships sailing out the following year in search of the same island came to a similar destiny.
The night is the place where characters move, and images rhythmically dissolve from faces to the night stars, in a smooth transition between images and words.
A film about poor human relationships and frustrating environments through personal experiences.
Exploring the lag between recording analogue drawings and projecting them onto a queer performer to create dense feedback loops to use AI to mediate these transformative re-presentations.
Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.