Music video directed by Yoriko Mizushiri for the song Teleport by Shuta Hasunuma that was released on his album "Melodie.
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Music video directed by Yoriko Mizushiri for the song Teleport by Shuta Hasunuma that was released on his album "Melodie.
„Shift Simmers Slips“ is massively inspired by and freely adapted from Luigi Serafini’s „Codex Seraphinianus“, an illustrated encyclopedia created between 1976 and 1978.
An epic secret world is revealed within an attic during a rainstorm.
Katachi means shape. The video is made with approx. 2000 silhouettes extracted from PVC plates using computer-controlled cutter.
A couple attempts to tear themselves limb from limb on a late afternoon stroll before entering a fluttery dimension.
Trapped in a synthetic meditation space, an empty shell seeks power.
The expression of emotional desire called love. Every person is an individual whose spirit and soul cannot be bound.
The experimental film “sfumato” is based on a multi-channel video installation by Berlin-based artist Robert Seidel, pushing the limits of abstract painting in the digital age. In a time of complete virtualization of knowledge, work and monetary flows, painting finally can be in the same state of flux beyond the constraints of a physical material. The title refers to one of the four canonical painting modes of Renaissance art, a technique that emphasizes soft transition between colours and tones. By taking this concept of blurring clear lines and borders the spectral “all-over” composition offers a myriad of subtle gradations and erratic shifts of focal planes. “sfumato” unleashes a sublime moment of pure abstraction expanding the ideas of painting into an asymmetrical orchestration of video painting sequences. The source material is based on a convolute of analogue painting and drawing sketches by the artist, which were dissolved with a self-developed video synthesizer and fused into a continuous visual stream of prismatic colour volumes. “sfumato” is part of his ongoing research in the field of experimental, process-based “moving paintings”, which create a coherent and personal utopia of Robert Seidel, pointing towards the universal possibilities of art in the flow of history and its friction with today.
Life on a conveyor belt seems great for Sushi and his Topping friends. But as he begins to contemplate his existence, Sushi wonders if there’s more to life than pimping himself out to savage consumers.
“remember your power”
A story about a very dangerous infatuation. An animated music video made for the band SAME SUKI. The song’s lyrics is an adaptation of the old Polish folk song On a Sunday at Dawn.
This experimental animation by Max Hattler approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing housing estates is reimagined as parallel rows of film strips: Serial Parallels.
In a veritable firework display of digital self-portraits, hundreds of quaint, embarrassing and dreadfully disturbing selfies were arranged in a unique short film composition. Single photos, artistically reworked, consolidate to form a ghastly grin that outshines the abyss of human existence.
Everything started with the Big Bang, that was the seed. Everything was born, developed and died because of a repeating cycle. The matter will forever remain, energy is transmitted and time gives motion to everything.
Kwadrycy, a mechanical creature, discovers one day strange radio waves from outer space and decides to go on a journey to investigate what is the source of this weird melody. He arrives on underwater planet inhabited by nosy nosy animals. Music: Devo.
A jazzy music video exploring an abstract microcosmos. Schnurksel is a looped animation made of six poster-sized hand drawings which are printed on a lenticular sheet.
Official animated music video for Scottish rock band Schnarff Schnarff.
“The Italian Gaze” portrays the intoxicating beauty of Italy that many visitors still get looking at its landscapes, at thousands years of history, art and architecture, as well as it denounces the disillusionment, inner conflict, and hopes of an emigrant.
The experimental film Sacred Clockworks reflects religion through photographic animation of their impressive sacral architecture. Thereby the Domes of churches, mosques or synagogues are treated like clockworks – infinitely continuous, embodying thousands of years of history. The film examines the dome’s distinctive structure built from multiple layers of circular patterns. It pays homage to the beautiful art that emerged from religious institutions without overlooking the fact that these same institutions led to violence, suffering and death. The film reminds us of the commonalities of different religions by examining the similarities of their sacral architecture. A statement for more tolerance and against any fundamentalism.