A cartoon history of the evolving urban landscape in Midtown Manhattan, its various uses and abuses, accompanied by a wild sax. Commission animation for the New York Times.
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A cartoon history of the evolving urban landscape in Midtown Manhattan, its various uses and abuses, accompanied by a wild sax. Commission animation for the New York Times.
A starving prehistoric man trapped in a mysterious cave tries to escape as his body mutates.
Metallic components like hardware, foil, nails manifest visceral painful feelings of the depressed people. Liquidity of ink serves as an organic, flowing and invisible brain process from the amygdala and hippocampus.
Marilyn is trying really hard to make something that is good. For once her expectations and reality are going to align, perfectly. No, it will be even better than she imagined. It will be epic. It will be tear jerkingly profound. It will be perfecter than perfect. Nothing can go wrong.
Marcel survives the bird flu, alcohol, sleeping pills and his son Max. Though blinded in one eye, he remains the King of Tervuren. Greek tragedy as acted out by Belgian roosters.
Behind the scenes on Move Mountain.
Music video for duo Madvlllain.
A music video.
Hearts connect at 56kbps as two strangers fall in love in the year 2002. We’ve got all night and we can be whoever we want to be.
A lovesick teenage cyclope Pineapple feels sadness.
‘Love Is Bigger Than Anything In Its way’ from the album ‘Songs of Experience’ by U2.
A peek into the wax lotus. Lotus Lantern is a tribute to late Chinese singer Zhou Xuan, a missing link between filmmaker’s queer identity and Chinese heritage.
Lonely Robot Duckling was Sam Henderson’s sole venture into self-produced animation in 2001 based on a story that appeared in Magic Whistle.
A music video for Local Natives - Statues in the Garden.
There is an amusement park standing beneath my heart, which fulls with excitement, happiness, leisure and mystery. It walks from irreproducible 1990s, and accompanies me through every night.
New York Film Academy Animation student Felipe Amaya created this short animated film during his 1st semester in the 1 Year Conservatory Program, having no prior 3D Animation experience.
An intimate conversation between one’s true self and the body they’ve been given. Based on the poem Letter to My Body, written and read by Joy Ladin.
Lesley the Pony goes on a fun-filled adventure through the town of Merryville while making lasting memories with his friend, The Duke.
The film is about the process of unlearning, an act to detach from a system which has formed the basis of the one’s reality for so long. The director, though right-handed, engages both of her hands in the production of this animated film. The learned hand and the other sets out to capture the rhythms of traditional schooling, and in the process breaks free from it. It is a return to the corporeal, to carefully consider each motion in time and its consequence.
A choreographed vision of the future.