A man in a room, in a film – it is the becoming of something and simultaneously becoming in itself. Nothing is as solid as we believe.
- Drama
- Abstract
- Experimental
- Non-narrative
Country
A man in a room, in a film – it is the becoming of something and simultaneously becoming in itself. Nothing is as solid as we believe.
This work is inspired by the realisation that someone you thought you knew has changed in frightening ways. Our understanding of people is mediated by our own experience, limited, and the indirect ritualism of relationships is like dance or sport.
A woman heads down to Vera Lassoo’s hair salon with a set of unrealistic expectation and ends up with an unrealistic hair-do!
A group of creatures are abducted from their natural habitat.
In these times of uncertainty and anxiety the film follows a day in the life of a young teenage boy as he faces his fears and concerns. Will he be able to confide in his school mates? Are they going to help him or ignore him?
An animated comedy about a tiny man who lives inside a cat and the mess he finds himself in when he falls in love with the cat’s new owner. When he finds a woman his own size, he realises how stupid he’s been.
A short story about living with and as a headless person.
For Rene Fustercluck, life was bad, the Apocalypse was awful and then Gordon arrived. ‘After the End’ explores the possibility that the only thing worse than being the last man on earth, is being the second to last man on earth.
After is a documentary animation that traces the emotional journey of three people as they journey from isolation and despair to discover a newfound hope in their lives.
Aeolian shows the life cycle of a mysterious creature as it explores the natural world around it. As it grows bigger, so too does its understanding of life and its inevitable conclusion.
A music video.
The story of Alan, an ordinary fish that one day starts to wonder what lies above the surface.
In 1950s Washington, the Americans decided to monitor the Russian embassy with a spy cat rigged with microphones. The only problem was getting all this equipment into the animal’s body. Based on true events.
Abstract stop-motion music video directed by Max Hattler for Japanese electronic artist Jemapur.
Two characters, cocooned in their love, who go on a heartbreaking journey of self-discovery in this experimental, BAFTA-winning short film.
A woman’s life is ruined because someone tells her she has a little bogie on her nose. An allegory about homelessness showing that a small thing can have a domino effect and lead someone to feel outside of the norm, the bag representing anything that makes a person seem different and unacceptable to society.
You see a girl or you don’t. But at least you know she is afraid of touching people. Now she is going on a journey to overcome her fear from the past to the present, from pain to relief. Running across the snow, hiding in an apartment and going to the sea.
Separate projections combine, unifying, becoming whole. Twelve animated projections combine to develop a rhythmic dialogue exploring the intrinsic relationship between sound and image using 16mm film, paint and a projector. Responding to a hand-drawn soundtrack, each projection is individually created by painting and scratching directly on 16mm film stock.
Stop-motion animated satire of modern man on the street and documentary interviews, responding to unseen questioners. The voices of the characters are supplied by everyday people speaking varied regional accents.