Pillow talk takes a surreal turn in a shape-shifting blend of live action and animation.
- Drama
Audience
Pillow talk takes a surreal turn in a shape-shifting blend of live action and animation.
The story of one girl's Google-search-gone-wrong to find out why she can't stop pulling out her hair.
As he looks at a flower, Mika is reminded of his childhood, and feels a creature awaken inside his head: a giant stuck in apathy. Also coming awake is another creature, full of wonder: Kai. Trapped inside the giant, Kai discovers countless memory bubbles and starts collecting them. With their help, she guides the giant through releasing his emotions – and Mika through finally accepting the loss of his childhood friend.
Official animated music video for Shugo Tokumaru's Poker created by Mirai Mizue and Yukie Nakauchi.
When conflict becomes a spectacle, the lines between destruction and entertainment get blurred…
A circular looping animation projection installation.
1923 aka Heaven is one of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1923 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1923.
To learn how to process bad news and face adversity in life, you undoubtedly need some skills. In this short humorous film, probably loosely inspired by Inside Out and Inside Out 2, we get to see the mental processes of an unfortunate person and hopefully get some tips on what to do.
Using the New Age idea of a 'dimensional shift' as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and colour.
The Norwegian director’s abstract animation works with floating and unstable organic shapes. Constantly moving, they create entirely new forms. The film’s plasmatic structure unusually combines digital images with natural motifs and conveys feelings of cold and warmth.
On a night walk, a couple in love come across a frog who’s definitely not interested in their attention. The frog, her child and other creatures of the forest rather allow themselves to be carried away by the wild rhythm of the electronic music by Czech performer Johuš Matuš, secretly hoping that the uninvited guests will leave soon. The music video’s co-director Julie Černá worked with Johuš Matuš on her acclaimed film The Stone of Destiny.
A charming touch of craftsmanship, carefully chosen colour palette and the quiver of cutout animation particularly evident in animated flames make this music video a suggestive spectacle. By repeating distinctive motifs to the hypnotic tones of the song, it acts as an audiovisual spell.
Were we equals, or were some of us just using others? This non-narrative film explores the possibilities of textile materials and techniques in conjunction with the moving image. A musical composition by the artistic duo Nadváha is stitched by the repetitive sound of a sewing machine.
A short and captivating non-narrative animation by Polish filmmaker.
In India, cultural practice requires young girls to be dedicated to a Hindu temple, becoming temple dancers, serving its deity and priests for life. At the dedication ceremony they receive Muttu – a red and white necklace symbolizing their status. In a few short minutes, the director succeeds in building an oppressive atmosphere by using, among other things, traditional Indian music.
Individual schizophrenically narrated episodes take us through the instrumentalisation of life by creating pulp (mirroring the film itself) and personifying a machine. The film is rooted in the director’s infinite hatred of computers and, in a deeper sense, explores the boundaries of resistance in the digital age.
A conversation with the viewer about the mutual influence between news and people: how news affects people, how people shape events and how events in turn become news. The story unfolds across two worlds: semi-realistic and abstract/metaphorical. These worlds complement each other, occasionally interact and often flow seamlessly into one another.
The movie tell about dinosaurs, people and life in general.
Home and comfort can often be found in things that shame, trap, and damage us. Leaving that home can be difficult, but having it as a poltergeist that follows you around proves to be even harder.
Marseille, in the height of summer. Lying on their towels, Jess and Alana talk about the beach party from the night before.