The film is inspired by Borges’ short story Aleph. The protagonist is involved in a world of simultaneous events. Passing through the gates of Aleph he experiences fears, hopes and sufferings of humankind.
- Abstract
- Experimental
- Non-narrative
Production
The film is inspired by Borges’ short story Aleph. The protagonist is involved in a world of simultaneous events. Passing through the gates of Aleph he experiences fears, hopes and sufferings of humankind.
A schizophrenic boy witnessess the killing of a deer in the forest and starts running back home. A myriad of strange occurrences along the way worsen his condition. The safety of his home is only an illusion, and a series of visual stimuli forces him to go back to the beginning of the story in order to try and change the sequence of events.
As years and years go by, a tiny civilization makes its way upwards.
Just a regular cock fight.
The main subject of the film is the unexpected arrival of the period and the protagonist’s perception of other people’s reactions towards her ‘condition’. As soon as the M arrives, the protagonist realises she is completely unprepared, since there are no menstrual pads or tampons in her purse. With that, an absurd mission filled with obstacles begins. She tries to keep the ‘red waterfall’ gushing between her legs hidden, which symbolises overthinking and a panicky state of mind. Through the protagonist’s actions, the author is questioning society and its relation to the individual. She also questions the attitude of the society towards period and how the individual deals with the same red taboo subject.
A unicorn wakes up and after a series of odd events finds out that he is an astral projection. He spends the rest of the day trying to get back into his body, and return home within his own mind.
The film questions the universal understanding of love, connecting that phenomenon with the phenomenon of rigid consumerism. Traders tend to dehumanize the human smile by continuously and aggressively offering goods and services on the market of absurdity. Osmijeh represents an act of resistance against uprooted social norms.
At one hut, deep in the forest, everything goes peacefully. The days are filled with light, the chickens roam freely and things are in their place. However, everything changes at night. Zec insatiably thirsts for everything raw, violent and natural. Njegovi ga nagoni makes him twist his own body, i jednog dana he totally loses control.
It’s an animal with memories. It doesn’t have a tail, it has protruding eyes and strong extremities. Its skin is slimy. I try to catch it but it’s impossible. It always gets away with ease. Secure in its ability to escape, it did not expect to be kicked. The force of the blow robs it of all grace, it no longer exudes strength. It resembles a piece of fabric being blown in the wind. It has teeth, big enough to be noticed. They are all still accounted for. It’s a frog. It is accompanied by four beings. They do not have a tail, but they do have arms and are not humans. They love to eat at the table. While they eat, they do not talk. They are not frogs but they could easily be mistaken for one of them.
Little White Crow is gawked at and ridiculed by her flock for being different. But when pollution causes turbulent changes in their environment, it is the little White Crow who helps the flock find a better home.
Power, control, manipulation, domination and unavoidable triumph of love.
The past, the present, a change of perception. What is it that keeps us from going forward and why does the past keep pulling us back? When do we realize that our perception of things has shifted? Everyone goes through that process. What differs is how we experience and deal with it.
Throughout life we have to deal with certain obligations and responsibilities. While most people only feel discomfort, others experience anxiety about doing the simplest tasks incorrectly.
A story about an encounter between two individuals in an imaginary world – the Puppeteer and the Creature. The Puppeteer bides his time on his planet, longing for company. When a guest finally arrives, the Puppeteer expresses his happiness in many ways.
In times of an ongoing fierce controversy surrounding the polemics of when life begins, a doctor at one hospital faces a simple, but unsolvable question, when does death begin?
Gravitational waves are passing through every existing dimension, even the almost undetectable ones. The scientific experiment, in its basic utilitarian nature, is aimed at the understanding of the multidimensional structure of things and has the potential for an uncanny experience.
Two alpinists, Ola and Bole, embark on the adventure of a lifetime – a winter ascent along the dangerous Messer-Schmidt route. But before they reached the top, they were forced to abandon further ascent. Desperate and losing hope of staying alive, they surrender to thoughts of a happier scenario. The animated film “comes true” of their wishes and the good old search for a better life begins.
In a nameless city populated by featureless residents, which are driven by the energies both alien and insidious, revolving equinox of night and day takes place. Swaying between momentum and dullness, that never-changing cycle is represented by the neon commercials, which command every action of aforementioned residents and create their paradoxical and ouroboric reality.
A short animated film that puts the main focus on the instability of memory.
Five brave heroes. Three incentive dwarfs. One tempting prize. Greed, vanity and lust in the contest until the very end. Who is worthy of the prize?