Company
Individual schizophrenically narrated episodes take us through the instrumentalisation of life by creating pulp (mirroring the film itself) and personifying a machine. The film is rooted in the director’s infinite hatred of computers and, in a deeper sense, explores the boundaries of resistance in the digital age.
Animated film using digital animation technique. The film depicts the Slavic embodiment of winter, Morana, which symbolizes death, cold and unpleasant feelings. According to folk customs, the figure of Morana is brought out and burned every year to celebrate the end of winter. But is this figure really only negative? Is she not just misunderstood and unappreciated? After all, if nature did not rest in winter, spring could not come.
